Mama Cass – Dream A Little Dream


Artist: Mama Cass
Genre:Various
Title:Dream A Little Dream
Released: 1968
Label: Dunhill
Format: Vinyl
Musicians: Cass Elliot – vocals, Hal Blaine – drums, Harvey Brooks – bass guitar
James Burton – guitar, dobro, Cyrus Faryar – guitar, ukulele, Renais Faryar – vocals on “The Room Nobody Lives In” and “Rubber Band”, Jim Gordon – drums, Paul Harris – organ, piano, Brenda Holloway – backing vocals, Plas Johnson – saxophone, Larry Knechtel – keyboards, John Sebastian – guitar, harmonica, John Simon – piano, arrangements, Stephen Stills – guitar, vocals
Producer: John Simon

Dream a Little Dream is the debut solo album by singer Mama Cass immediately after the breakup of The Mamas & the Papas, though she was still billed as “Mama Cass” for this release. Capitalizing on the success of her first solo song as the album’s title, it was released on October 19, 1968 by Dunhill Records.

From Wikipedia: https://en.wikipedia.org/wiki/Dream_a_Little_Dream_(Cass_Elliot_album) Cass Elliot had agreed to a three-album deal as a solo artist with Dunhill Records less than a month after her split with the Mamas & the Papas.
Elliot chose John Simon as producer to help her steer the album. She had liked his work with The Band and found him to be the perfect person to work with. Both Elliot and Simon agreed that this would be her album and Simon was keen on allowing her the chance to choose her own material and to shine on her own. *Editor’s note: Mama Cass was a multi-faceted singer and could handle just about anything. The material she choose here was not a problem, but the way it was recorded was an issue in my opinion. The album contains touches of country, blues, rock, jazz, gospel, and bluegrass.

You will undoubtedly recognize some of the names listed in the Musicians list: Hal Blaine and Larry Knechtel were part of the “Wrecking Crew” and then there are John Sebastian and Stephen Stills whom we all know.

Sadly and somewhat a surprise from Dunhill, not to mention Wally Heider studios, this LP was recorded hot. Part of the reason was that the album was recorded in no more than ten days at Wally Heider’s studios. Instead of spending countless hours doing retakes as she had done with the Mamas & the Papas, she recorded almost every song live. However, even back then they could have done a better job of it. There is a lot of clipping distortion throughout. I have far better pressings from Dunhill on other albums. Also there are parts where the sound effects begin to sound like one is listening to a Spike Jones album, only not funny.

Side #1
“Dream a Little Dream of Me” (Wilbur Schwandt, Fabian Andre, Gus Kahn) – This track starts with a thunderstorm sound effect and then is sung a-cappella for the first measure. From here things turn sour.
“California Earthquake” (John Hartford) – A static DJ announcement is the segue into this track which is kind of a groove style. What is interesting to note is the lyrics, which allow one to realize that “the big one” is an older story then we think.
“The Room Nobody Lives In” (John Sebastian) – This is a ballad, but unfortunately the disturbing sound effects continue.
“Talkin’ to Your Toothbrush” (John Simon) – This song has a Country feel to it.
“Blues for Breakfast” (Richard Manuel) – This song is styled in old time rock and roll
“You Know Who I Am” (Leonard Cohen) – This is done as a ballad with a gospel flair

Side #2
“Rubber Band” (Cyrus Faryar) – This song is more a march than anything else as the Spike Jones sound effects continue.
“Long Time Loving You” (Stuart Scharf) – This may be the only semi OK song on the whole LP, which is a sixties style pop feel.
“Jane, The Insane Dog Lady” (John Simon) – This song is another country flavored tune with sound effects.
“What Was I Thinking Of” (Leah Cohen) – This is a ballad/Blues style tune and finally without so much sound effects
“Burn Your Hatred” (Graham Nash) – Another Country style song and nothing impressive.
Sweet Believer” (Cyrus Faryar) – This one is a standard ballad.

Sadly, due to the sound effects and more so, the poor sound quality in the recording and pressing I can only give this LP two and a half stars and that is on the generous side.
MUSIC:
SOUND:

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